derived from apparitional or political prejudice (503) (he is evidently thinking here of what the New Critic Ransom calls the moralistic approach to literary criticism practised by the Humanists and the Marxists alike); C literary criticism that focuses on the impact of literature on the reader (503); and C literary criticism that focuses on the author as the source of the literary work. He dismisses in this regard all [s]entimental judgments (503) that are ground either on non-existent categories or antitheses (Shakespeare studied life , Milton books) or on a visceral reaction to! the writers record (503) Evidently, Frye shares much in these three respects with the New Critics and their opposite to moralistic, affective and wise(p) approaches to criticism. In place of moralistic, reader-oriented, and author-oriented critical approaches, Frye advocates a rhetorical or structural analysis of a work of art (503),...If you penury to get a full essay, order it on our website: OrderCustomPaper.com
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