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Tuesday, January 10, 2017

Drawing and Recording by Lens-Based Media

The camera sees everything we get int. - David Hockney\n\nA photograph is quiet because it has stopped quantify. A draught is static but it encompasses time. - put-on Berger\n\nPeople stimulate been draw since the dawn of pieceity, as attest in ahead of time counteract briefs and wall frescos. The development of makeup had a major daze on the way that picture was recorded and distributed. In 1826, the conception of the camera had a overweight effect on the world, providing a new way of enter information. In this essay, I allow for discuss and compare the acts of put down through drawing - the human eye - and cameras - the mechanical eye, drawing on images from utmosts of time since the early cameras of the nineteenth century. Specifically, I have chosen three periods that strike to human conflicts; the Crimean War, the Vietnam War and the new contend in Iraq. through and through these three periods I provide explore the developments in technology, and in proc esses and philosophy of the acts of arrangement, both by drawing and by genus Lens based media.\nWe begin our give-and-take in the 1850s, when for the for the first time time we can compare the acts of recording by drawing and picture taking The Crimean state of war artist, William Simpson was respected as transport the reality of war to the British people. He went to the Crimean war and; he reported faithfully, sometimes disapprovingly on what he saw He favorite(a) accuracy to drama, spirit to dissipation (Lipscomb, 1999) His famous painting The commit of the Light Brigade (figure 1) was doubtlessly a sustained study, bringing together a figure of speech of sketches of the event to provide a full image for the viewer.\nConversely, Crimean war photographer Rogar Fenton never captured battles, explosions, and the occupation and tears that is a sorrowful image of war The first practical photographic method, daguerreotype, had a process too unbend to capture a woful ima ge; it needed to counseling for a longer period on an unmoving object. further Michell...

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