Nora\'s Transformation - Child to Adult

The world far-famed comprise, A Dolls House, by Henrik Ibsen, is centered upon the injustices women go about in society, and more specifically within their marriages during the nineteenth century. To outline that era, Ibsens play, focuses on the drug-addicted usance that, Nora Helmer, the main character, plays compared to that of her husband. Nora, analogous all wives of the time, lived a flavor revolving around her husbands. His views, beliefs, and rules, were automatically hers with no argument or second-guessing. From a young age she embraced this role in society. However, as the play progresses and the story evolves, so does she. oer the course of a holiday weekend, and the three acts in the play, Noras character goes from being a madam child and doll wife, to a strong, independent woman. Nora acts childishly in the first act, contemplates intensely in the second, and achieves a priceless sense of reality during the decision act of the play.\nIn be active one, Nora tr ies hard to comply with the accessible rules to act as a good wife, mother and young woman (Wong). However, in the meantime, Nora shows her underlying confide to be an individual, and more significantly her childlike characteristics, threw acts of defiance and carelessness. Torvald, Noras husband, imposes rules for which she is to follow. Instead of being an openhanded and addressing her concerns about thus rules, she just breaks them behind his back, as a child is accustomed to doing. For instance, Nora is forbid to eat macaroons, but does so any way. When this occurs, Torvald asks her is she has, been nibbling sweets, to which she replies wholeheartedly, No, certainly non/ I should not echo of going against your wishes (Ibsen). This eating of a macaroon portrays her childlike qualities in twain separate ways. For one, she surrendered to Torvald by allowing such a thing move a rule in the first place, ultimately present her lack of influence or desire to stand up for her belie...