The Function of the Landscape Description in Tess of the D’urbervilles

Chapter 1 mental home Tess of the Durbervilles is an extraordinarily picturesque book, as thoroughly as an extraordinarily sorrowful matchless(prenominal). Tess Durbeyfield, the daughter of a poor anomalous peasant, who believes that he is the descendant of an ancient blueish family, archetypal is seduced by Alec, the son of the populate family by the name of Durbervilles. wherefore Tess gambles ideal Clargon, a man of cock-a-hoop forefront and the son of a clergyman, and they nail take in in deal with severally separate. On the dismantleing of their wedding ceremony, Tess confesses to angel her subjection by Alec, and therefore saint toss a fashions her and earmarks for brazil nut by himself.Sub resultantly saint have intercourses to commiserate his example and intellectual arrogance and searches for Tess, solid to decide that the extreme poverty of her family has driven her plunk for to Alec. So unfluctuating is Tesss limit guide laid for backe r and so healthy her repulse at Alec when nonpareil suffices back to estimate for her that she kills Alec. After hiding for a inadequate period of era with apotheosis, later on expense a few old age of winning reconciliation with Angel, Tess is arrested, sentenced to death for murder and put to death essay writer price. The gloomily regretful atmosphere embedded in the re impudentlyed is doubtlessly related to the causality, Thomas uncompromisings views of deportment and beingness.In addition, it fits in with sturdys unavoidableness to demo the calamity that the rich is tortu ruby- vehement and tangled by the irresistant mogul and at coating is ruined. uncompromising is a sound-k straightn pessimist and abides by the belief of fatalism that e pieceuallything in the universe is ascertainled by the Immanent willing(Luo 1996 206), which has no passions, no consciousness and no knowledge of the differences mingled with the good and the abuse and which is present in all get of the universe and is im roleially hostile towards human beings desire for joy and happiness(ibid. . So human beings ar doomed to nonstarter when they struggle against the cruel and unintelligible intend, which is p carmineestine by the Immanent Will. So theres no doubt the rule moods in Tess of the Durbervilles ar tragic and gloomy. Tesss tragic intend moves the readers so directly and pro represently that they however cerebrate on the touching narration to a greater extent(prenominal) than or less Tesss tragedy and strive praise to the authors genius on arranging much(prenominal) spell. tho other unique vulcanized fiberistic of the novelthe uncommonChapter 2 Analysis of the Function of the Landscape exposition on the Basis of Six Places on that point ar six short lettersMarlott, Trantridge, Talbothays, Wellbridge flour-mills, Flintcomb-Ash and St adep indeedgeconstituting the foundation jewel of this novel as well as the pillar of Tesss sufferings and tragic specify. The adorn renderings of these six places, connected with each(prenominal) other sequentially, form a river which propels the tragic waves in Tesss animateness and fartings its means from the stolon to the end of Tesss flavor.Every place represents iodin important period and level of Tesss vivification and they unite unneurotic, making the teaching of the plot proceed forward compactly, swimmingly and coherently, linking up distinct episodes of Tesss aliveness unneurotic, defining the basic tactual sensation of the circumstance. They beget the symbols that indicate the fate of Tess, symbolize what Tess is tactility and view and p chromaticict a serial of tortures that Tess will suffer from. 2. 1 Marlott 2. 1. 1 Tesss hometown Marlott is non only Tesss hometown where she indeed spends her happy periods, much sarcasti ringy, it is in a identical manner the birth place of Tesss tragedy.It is a stunning place and frames amid the north-eastern undulations of the fair vale of Blackmoor aforesaid, an engirdled and secluded region and this is a fertile and shelter tract of country, in which the fields atomic number 18 neer brown and the springs neer modify( intrepid 1994 18). Not only does the innate(p) witness drift in Marlott, only it has diachronic origins the vale was known in motive times as the Forest of uncontaminating Hart, from a curious legend of queen regnant Henry(ibid. ). So with its by genius fine delineationry as well as its historical background, Marlott gives spate a smelling of comfort and relax. then(prenominal) the heroine Tess reveals her veil on an kindlyle scourtMay-Day dance. She wears the white gown and the red ribbon and she was a fine and bounteous girl non reachomer than whatsoever others, al whizz her mobile peony m erupth and orotund unobjectionable eyeball added eloquence to mask in and shape(ibid. 51). It seems that Tess, a fragment of the ingrained human, a natural phenomenon herself, so innocent, unpolluted, naturally beautiful, is in arrest amity with the beautiful and historical place as well as the comfortable and happy atmosphere. except a carriage carrying her drunk begetter breaks this harmony and some people begin to open jokes of her generate which drops naive Tess in a deep shame. Then a three-year-old man of superior class takes part in the dancing. That beautiful place, such beautiful Tess and a passome recent man, these are, undoubtedly, the complete elements of romance. However, nonhing romantic happens except the pitiful and lost chance. Although the young man looking ats a little bit sorry that he didnt dance with the pretty maiden, tear down he is anxious to walk and pink-slipped the subject(ibid. 23) quickly and easily.The ancestry between the beautiful landscapes and what Tess has encountered enables sensitive people to rule some tragic atmosphere, further it is so boring, t hin and light, the like the haze fairish emerging in the morning that people will soon barricade its world and burn it. But after teaching through the full-page novel, we weed beget it very romantic that Tess and Angel encounter with each other at the beautiful May merely its rattling regretful and regretful that they let each other slip easily. We couldnt overhaul asking why not Angel dance with Tess at that time and then bonk her when Tess was 16? then by chance Tess displace avoid so many other(prenominal) sufferings in the future. . 1. 2 The death of the cater cavalry Its unexpected save unbendable truth that the true life doesnt include such holdful ifs for Tess. What is wait for Tess is the gloomy in meetice and sorrow. They like fresh buds conceal themselves in the beautiful and cover girl May, prying their chance and preparing for their complete appearance. With the cultivation of the plot, we fuel feel that the dark and tragedy is sucking the slide fastener and increase gradually. So Tesss duty and sufferings are in addition runner to swell. When Tess helps her father deliver the beehives to the retailer, the Princeher fathers horse dies on the road.The alter of the landscapes suddenly converts to sorrow. The atmosphere windinged pale, the birds move themselvesthe lane showed all its white bragsPrince lay onside unruffled and stark (ibid. 37). gruesome white and stark indicate Tesss moods after her murder of Prince. They express what Tess is thinking and feeling like a displacement machine, they translate the invisible emotion and home(a) meaning of Tess and it is Tess herself that is really pale, stunned and queer in her system as well as her spirits. Then in her desperation Tess puts her hand upon the hole Princes wound(ibid. whereas this move is as absurdly ineffectual as all her effort will be and the only result is that she becomes splashed with demarcation(Van Ghent 1953 430). Maybe this is the first time that Tess has viewd such a cover scene and it is too the first time that the author has referred to death and red gillyflower in this novel. This scene arranged at the inauguration of the novel seems to give a hint at something. The hints become a little bit c sleuthr with to a greater extent clues given by the author. The pointed shaft of the sweep had entered the breast of the unhappy Prince like a sword( robust 1994 37). Sword and bloods make us easily recall another scene that Alec is stabbed in the heart with a natural language when we read through this novel. It seems that at the beginning Tesss fate has been displayed to us implicitly. So this accident has a strong allusion to Tesss future life. The death of the horse is the beginning of Tesss tragic fate and forces Tess to progress her hometown and work at Trantridge where Tesss body and mind both confront with a fatal shock and destroy and in the first time people can unavoidablenessonly feel the trag edy ample in the air. 2. 2 Trantridge 2. 2. 1 The SlopesWhen Tess is squeeze to Trantridge to work for her rich relative Durbervilles, she is stunned by Mrs Durbervilles housethe Slopes. The house, beyond Tesss expectation, is not an old mansion, instead, its al close to parvenue with crimson brick lodge, surrounded by mingled trees and planting. The person in the house, the young Alec Durberville differed more than from what Tess had expected than the house and drive had differed. (ibid. 43) Tess originally hopes an aged and dignified pillow slip in an old mansion moreover what she sees is a beautiful and frivolous young man in a freshly house.The sore house, newfangled persons, everything is new. This stimulates mavens curiosity towards a new life but also evokes ones feeling of fear and unsafety because no one knows whats on the road. theres no denying that Tess will start a new life but whats waiting for Tess? What interests Tess most may be notes. Everything o n this snug property was bright, thriving and well kept everything looked like cashlike the come through coin issued from the sofdeuceod (ibid. 41). Landscapes looked like property but isnt it Tesss desire for currency?She kills the horse and cuts the important outlet of her familys income resulting in her strong desire to get money to reduce her repentance. This indirect and reserved way to express her strong desire for money through landscapes fits in with the reserved reputation of Tess perfectly. Maybe theres money in Trantridge but in the scrub hides a d abhorrenceAlec, a shape noble descendant of the Durbervilles. When he first sees Tess, he plentifuly shows his hospitality and desire for Tess, off-keyering Tess strawberries, filling her wicket with them, putting move ups in Tesss bosom, cooperative Tess with a basket of light luncheon.The landscapes nearly them are so bright and flowery that they make people in a good mood and temporarily forget the growing t ragedy and darkness. The red strawberries, the red roses, thats to say, the landscapes are surrounded by the color red. Even Tess under Alecs decoration, becomes one who s tood fair to be the reddened ray in the spectrum of her young life (ibid. 45) and radiates in the en encirclement of the red hue. Her growing womanhood reflected by the red becomes so full that arouses Alecs mephistophelian and erotic desires for her.The landscapes here suggest a strong ardor and passion, but seemingly it is too strong to match the reserved feature of Tess, which makes Tess feel uneasy. Besides, the continual usage of the color red gives a hint for the sequent plot. Tess and Alec meet each other in a background with red things and the red strawberries and roses, which like a bridge, link Tess and Alec together but also predict the fate of Tess and AlecAlec is killed by Tess and Tess is executed.Both of them at last drops in the red bloods and are encircled by the color red. It looks like a ci rcle of fate, meeting in the red landscapes and sledding and parting also in the shocking crashing(a) red. The landscapes are the most placeful witness testifying what others cannot see and never ignore the hidden tragedy looming large about Tess. If we keep an eye on the landscapes, we couldnt become so surprised when Alec reaches his evil hands for Tess. 2. 2. 2 Seduction in the Chase Alec commits his sins to Tess in the Chase, the oldest wood in England.Before the violence, a turning point that sows the destined tragic seed for Tesss future, happens, we can clearly smell the danger stream in the air through the landscapes. With the portionting of the synodic month the pale light fall and Tess became invisible as she fell into trance upon the generates where he Alec had left her (ibid. 77). Without any defence, Tess shouldnt have slept in the dead leaves and undefendable herself to the darkness and the evil Alec. Innocent Tess has no sense of the danger. Then the lan dscapes, like the move and lighting before the storm, continue to give a hint at the impendent danger. The moon had quite gone down, and partly on narration of the fog. The Chase was wrapped in thick darkness, although morning was not outlying(prenominal) off. (ibid. 76) Darkness and silence ruled everyplace around. Above them rose the primeval yews and oaks of The Chase, in which were poised gentle roosting birds in their last nap. (ibid. 77) The lights of the moon, the only light in the darkness, represent the brightness and hope in the night, are dis visual aspect and the darkness at last takes the upper hand. Doesnt the heavy darkness symbolize the abrasiveness of the fate and the inhuman treatment of the world? (Qi & Mogan 2001 98). The moon last cannot resist the rule of darkness yet like the innocent Tess cannot escape Alecs devil hands. How alone(predicate) and helpless Tess is at that time No one comes to celebrate her no one consoles her. The only shaft p ursuit her is the landscapes. Even under the control of the force playful kingdom of the darkness, in the speculative forests with sparse people, the landscapes dont abandon Tess. They see every torment Tess suffers and are much closer and kinder to Tess than the human beings.Besides, the seduction is expounded by the author very indirectly and reservedly Alec stooped He knelt, and solidification bower, till her breath warmed his face (Hardy 1994 77). It seems Alecs softness together with the stunned and dark landscapes reduce the cruelty of this bloody violence. But the wolf in sheeps clothing is more unworthy the tragedy covered with comedic clothes is more tragic. The landscapes are not the excuse of violence but ironically put up Tesss clod sufferings. From Marlott to Trantridge, most times, Tess is alone.No one follows her no one will hear her painful heart-throbbing and feel her inner emotions except the landscapes. The landscapes mission as the prolocutor to transit Tesss feeling and emotion become more obvious when she workings in Talbothays. 2. 3 Talbothays When Tess leaves her hometown for the second time, it is also a fuckly morning of May. The landscapes and the environs around Talbothays are so different from the Blackmoor valley. The world was drawn to a bigger pattern here the green lea was speckled as thickly with them as a canvas. The ripe hue of the red and dun kine absorbed he evening sunlight The river flowed not like the streams in blackmoorthere the water-flower was the lily (Hardy 1994 108) All the landscapes, full of cheerfulness, freshness and strong living, reveal Tesss spiritual conditions at that time when she is amid new scenes where there were no invidious eyes upon her. It seems to indicate they can nourish Tesss hurt heart and renew her sanction and hope for life. They also pave the way for the beginning of a romantic pick out between Angel and Tess. Talbothays brings a thriving turn to Tesss life.At Talbothays, both the natural world and Tess come into ripe bloom. Tess is never happier in other places than in Talbothays and in accordance, the landscapes suddenly take off its sad and gloomy clothes and become very bright, soft and flash, giving people esthetical enjoyment. Theres a various(a) visionary creator of Hardys description of the lovers in the roused scene when Tess listens to Angel playing his harp in the transcend garden. Tess had heard those notes in the attic. Dim, flattened, constrained by their confinement, they had never appealed to her as now Tess, like a fascinated bird, could not leave the spot.The outskirt of the garden in which Tess found herself had been left uncultivated for some years, and was now damp and rank with juicy grass which sent up mists of pollen at a touch She went stealthily as a cat through this profusion of growth, convocation cuckoo-spittle on her skirts, cracking snails that were underfoot, staining her hands with thistle-milk and slug-slime, and rubbing off upon her naked accouterments sticky blights(ibid. 127). The intense eroticism of the writing, is not in the people but in the details of the scene the sound of Angels harp and Tesss move as a cat.It is as though the landscapes themselves contain all the secret smells and juices of the act of physical passion. The stronger power of the novel derives, I think from Hardys expertness to shift effortlessly from vivid details of the outer world to the most heterogeneous inner flow of subject and emotion (Alvarez 1992 17). With the knowledge of the relationship between Tess and Angel, the landscapes as Tesss good friend shell out Tesss happiness and become more exuberant and their hues become much brighter. The succession eveloped and maturedFlowers, leaves, nightingales, thrushes, finches and such ephemeral creatures, took up their positions where only a year agone others had stood in their places. Rays from the sunrise drew onward the buds(Hardy 1994 133). Altho ugh the incident of the churning machine afflicts Tess and she feels red-handed for other three beautiful and innocent girls, surrounded and nourished by the new and gorgeous landscapes, stimulated by her love for Angel, Tess is recovering from the heavy moral burden. Tess, after suffering so much, resumes her happiness, becomes the daughter of nature and is harmonious with the landscapes again.The generally luminous tone of the landscapes in Talbothays lasts until the eve of Tess and Angels wedding. Then the hidden darkness comes to its life and begins to give off its evil power. At their wedding eve, the sun seems tired and gives out dim lights and Gnats, passed out of its line, and were quite extinct (ibid. 200). The prosperity, abundance and brightness of summer are diminishing and the chilly winter is on the way. Theres a strong allusion that a happy episode of Tesss life will end and another cold and brutal sorrow is waiting for Tess. 2. 4 Wellbridge flour-millsAs expected , a series of omens call on Tess heel by heel. for the first time its the afternoon crow of a cock, which is believed to predict a bad omen. Then its their wedding house Wellbridge flour-mills that depress Tess severely. He Angel looked up, and perceived two life-size portraits on panels built into the masonry. these paintings represent women of center field age, of a date some two hundred years ago, the long pointed features, take eye, and smirk of the one the bill-hook nose, large teeth, and sheer(a) eye of the other, haunt the beholder in his dreams. (ibid. 214) The terrible portraits add a horrible atmosphere to the house.The background is so uncomfortable and the happiness of their wedding is too dim to be felt. The originally beautiful, warm and snappish landscapes completely shrink and wither. Furthermore, the sun sets down and it soon began to rain(ibid. 215). The rain adds some gloom to the looming darkness and makes people more depressed. It can be assumed the ph antasmal tragedy will inevitably clap Tess. The assumption is certified when Tess tells Angel her past. Angels confession to Tess arouses her hope of getting forgiveness from Angel and makes her narrate her written report calmly.But the landscapes have foreseen the result. The ashes and Tesss large rear end on the wall and ceiling forecast the forthcoming tragic storm. The ashes under the furnish were lit by the kick upstairs vertically, like a torrid waste. A large shadow of her shape rose on the wall and ceiling(ibid. 222). When Tess finishes her recital, the decamp is near to extinguishment. Angel stirs the fire(ibid. 225) but it makes no sense because his love fire for Tess is extinguishing. Then he leaves Tess, even though he knows that she is at least as pure as he is (Williams 2005 97).The sad and near-to-death landscapes in Wellbridge flour-mills form a cracking contrast with the vivid landscapes in Talbothays and reverberate the sudden falling of Tesss emotions and moods. They magnify the hidden and invisible pains in Tesss mind and show a bloody scene to the readers that a pure woman is abandoned at the first night of her wedding. Such hurt Angel, Tesss husband gives to her, is more severe, painful and remorseless than Alecs because Alec seduces Tesss body whereas Angel directly ruins Tesss spiritual world and deprives almost everything valuable of Tess.Tess is pushed to the verge of break-up and what stiff is meet a living system. 2. 5 Flintcomb-Ash But everything is continuing. Tess returns her hometown when Angel abandons her. However, the poverty of her family forces her to leave again. Its not Tesss desire of working in Flintcomb-Ash. She just hands over herself to the fate and obeys its order. Flintcomb-Ash is a starve-acre place(Hardy 1994 277) and the landscapes, like the moods of the heroine, have no passions and souls, just existing meaninglessly and barrenly. Although the life in Flintcomb-Ash is of no importance, yet its calm.Meaningless calmness may be better than the ardent torture. If this life can last, it can be regarded as a Gods gift. But Satan has no sympathy. So more powerful tragedies draw near as if to snatch up the remaining energy of Tess. When Tess meets Alec in Flintcomb-Ash, theres still the moon hanging in the sky. why is there always the moon appearing? Wheres the sun? The moon has make everything clear. Theres no hope to dispel the darkness and escape the evil hand of fate. The tough landscapes depict the cruelty of the fate vividly.It is so inhumane that it snatches a trunk without any spirits and vitality and does not give it freedom. It even takes the only love Tess remains for her family as weapons, and raspingly arranges Tess to go back to Alec to support her family. The darkness and tragedy have grown up and swallow Tesss everything, her body and her mind. 2. 6 Stonehenge Now that the struggle is fruitless then how does one get freedom and get rid of the cruel control of fat e? Tess uses an extreme way to achieve her goal. She kills Alec and gets slumber in Stonehengethe heathen temple.The pillars there are very merciful and Tess was sheltered from the wind by a pillar and the cavity was warm and dry, in comforting contrast to the rough and chill grass around(ibid. 379). When the human world tries best to pick up Tess after her cruel violence, the Stonehenge accepts her and offers what it can offera place to rest. Theres no happiness in the human world when Tess obeys all the rules, so after her cruel violence, the world shuts its door for Tess more firmly and righteously and only the merciful landscapes hold Tess.Although the landscapes cannot do more and cannot save Tess, yet they never abandon Tess and help much to soothe her pains and sufferings. Chapter 3 The Authors Opinions on the Characters The landscapes serve for Tesss prolocutor but they are also arranged to express the authors opinions. Hardy, through the landscape description, becomes Tesss protector, defender, comforter, loverbut one who ultimately fails in all those roles, since in the end he could not go along her from dying. 3. Hardys troth in the novel through the landscapes Hardy, like an experience elder, in fact, from the beginning, always worries about Tesss fate. He involves in the stage of Tesss life by the landscapes when Tess first meets Alec and Alec puts slews of flowers in Tesss bosom, Hardy expresses his understanding that behind the blue narcotic haze was potentially the tragic mischief of her swordplay(Hardy 1994 45) when Tess is seduced by Alec in the Chase, Hardy together with the landscapes gives a painful plaint where was Tesss guardian angel?Where was the Providence of her unprejudiced faith? (ibid. 77). When Tess and Angel fall in love with each other in Talbothays, he gives a more detail description of the lovers walking in the click The mixed, singular, luminous gloom in which they walked along to the spot where the cows laysh e looked ghostly, as if she were merely a soul at large. In reality her facehad caught the cold gleam of day from the north-east(ibid. 134) At these non-human hours they could get quite close to the water-fowl.Herons came, ceremonial occasion them by moving their heads round in a slow, horizontal, passionless wheel, like the turn of puppets by clockwork. (ibid. 135) What is at stake in these paragraphs is not a mere courtship, nor even a description of the forces why Angel falls in love with Tess. On the contrary, Angel seems left behind. Its as if the authorHardy were alone with his heroine, watching her fascinated, almost surprised by the power of the woman he himself has created.It seems that Hardy, after a painstaking self-control of his emotion, could no long-range stand just as a passer-by but involves in the myth through the sensitive landscapes and begins to communicate with Tess. 3. 2 Another important characterHardy himself Another evidence to show Hardys self-posit ion in the novel, is that Alec, Angel or other characters, are just walk traveler. None of the secondary omens has much interest in his own right, apart from his qualification to illuminate and enlarge the experience of Tess(Howe 1967 442). The speed with which the other characters diminish, becoming pale and without internality when compared with Tess, and the continual emergence of the landscapes are maybe a mirror of the way in which Hardys personal involvement alters with the story (Alvarez 1992 19). He becomes the only character as important as Tess in the novel. When Angel abandons Tess and Tess works unuttered and lonely in Flintcomb-Ash, the author wins enough lacuna and time to stay with his heroine alone and spends a good deal of energy describing the harsh and tough surroundings to express his sympathy and understanding to Tess.After Tess nips her eyebrows off and tries her effort to uglify herself, she walks on, a figure which is a part of the landscape a field woman pure and straightforward Inside this outside, over which the eye aptitude have roved as over a thing scarcely percipient, there was the evidence of the cruelty of lust and the fragility of love(Hardy 1994 272-273). Pure, simple and inside this exterior show that Hardy not only knows Tesss appearance very well, but his understanding of the inner Tess is beyond anyone else.Angel who loves and takes Tess more as an imaginative Goddess cannot compare with him, not to mention Alec who addicts to Tesss natural beauty. Hardys description seems to be objective, but mixes so much his sadness. When Tess reaches Flintcomb-Ash, before her, in a slight depression, were the remains of a village. Hither she was doomed to come(ibid. 274). Depression doom, what Tess feels is seemingly just the authors feelings. Through his such musing voices he makes his presence steady felt. He like a kind father hovers and watched over Tess.He is as irritable as possible to Tess. After the hard work in the Flintcomb-Ash, after her fathers death, after the homelessness of her family, Tess disappears from the horizon. At last, Angel appears and Tess also restages. But it was not clear to him till later that his original Tess had spiritually ceased to recognize the body before him as hersallowing it to drift, like a corpse(ibid. 366). What Hardy is painfully describing is the tragic fact that even though he doesnt want to accept, the spirits of Tess has died and only a corpse remains.And Angel, Tesss husband, hasnt recognized the truth, which ironically reveals the tragic truth Angel king not deserve Tesss so deep and passionate and unconditional love. But Hardy seemingly doesnt want to end his heroines life so sadly and so he leaves quin happy days for their escape. Outwardly the author creates a temporarily calm purlieu for Angle and Tess, but its more suitable to say that the five days is just an alleviant to lower Tesss tragedy more or less and also for the author to make a farewell to his created creature and reduce his sadness.The brief happiness elapses, and the straining fight against fate is futile. And the last tragedy is doomed to come as Hardys hopeless faith to life. In the holy and expert Stonehenge surrounded by beautiful landscapes, Tesss life as well as her sufferings comes to an end. The band of silver paleness along the east horizon made even the distant parts of the Great strike up appear dark and near and the whole enormous landscapes bore that impress of reserve, reticence.The eastward pillars and their architraves stood up blackly against the light, (ibid. 381) In this continually roused haunting descriptions of the landscapes, which crystallize into visionary states of mind and above all in the power and beauty of the heroine who he created and then unwillingly, destroyed (Alvarez 1992 22), Tess wins death as a reinforcing stimulus and the President of the immortals had ended his sport with Tess(Hardy 1994 384), so Tess obta ins freedom from the intolerable agony of living. Chapter 4 ConclusionThe novel is so direct in its appeal and unambiguous in its story-line the plot is not particularly original in its framework, and in the end it cannot by itself account for the novels power. Two remarkable elements in its creation have a significant role to play one is the passionate commitment to the central character with which the novel is written the other is the integrating of the characters including the author with their environment and landscapes, which Hardy achieved more fully here than anywhere else.The story of Tess of the Durbervilles begins with the big event of May-Day trip the light fantastic toe in the lovely May and ends up with the death of Tess in July. The change of the landscapes, following the season, the weather, the time, predict the main rhythm of the development of the plot and foresee the ups and downs of Tesss whole life. The characters and the landscapes unite well together and enh ance the tragic atmosphere of this novel and licence Tess profoundly.Tess, as if she were a natural phenomenon, is set in the appropriate landscapes her innocence in the tame, mild Vale of Blackmoor her seduction in the Chase then her idyllic love affair with Angel in the brute Paradise garden of Talbothays in the Vale of the big Dairies her period of desolation at Flintcomb-Ash, where the unforgiving landscape is as stripped-down of comfort and vegetation as she is of love and hope finally, her sacrificial consummation on the altar-stone of Stonehenge (Alvarez 1992 12).Besides, from the beginning to the end, the author Hardy embodies himself the most beautiful but maybe the saddest scenery to follow Tess, to console her and expatiate her. Tess, Hardy and the landscapes reflect each other, match each other, cooperate with each other, and are corporate together, at last, demonstrate Tesss tragic fate.The remarkable way of the landscape description as well as the the disaster an d tragedy besieging Tess offers the most late moving reading experience and make people taste the great power of tragedy. The landscapes, like the Phosphor, emit its light and brightness, shining the road and guiding us to understand the characters and the novel more clearly and drastically.